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The Writing Workshop
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Writer's Workshop in a Book
Since 1969, the prestigious Squaw Valley Community of Writers has helped develop the craft of many who are now household names. Such noted authors as Michael Chabon, Anne Lamott, and Amy Tan have distilled their advice and wisdom from seminars and lectures, and the result is a book that captures the workshop experience of complete submersion in the writing process.
Writing Your Journal Article in Twelve Weeks
This book provides you with all the tools you need to write an excellent academic article and get it published.
Fiction Writer’s Workshop
In a clear and lively style, with rich literary references from classic and contemporary fiction, Novakovich teaches you how to: uncover ideas worth writing about; evoke a vivid sense of place and time; invent believable characters for your fiction; support your story with strong organization and structure; tell your story from the best viewpoint; direct your dramatic action; open and close with power and grace; choose expressive details; write with a commanding narrative voice; and transform your first draft into finished, polished fiction. At the end of each chapter, a dozen or more unique writing exercises (each with a clear "objective statement" to focus your efforts) will help you put w...
Writing Workshop
In clear language, Fletcher and Portalupi explain the simple principles that underlie the writing workshop and explore the major components that make it work.
A Community of Writers
With these words, written long before his Iowa Writers' Workshop became world famous, much imitated, and academically rich, Paul Engle captured the spirit behind his beloved workshop. Now, in this collection of essays by and about those writers who shared the energetic early years, Robert Dana presents a dynamic, informative tribute to Engle and his world. The book's three sections mingle myth and history with style and grace and no small amount of humor. The beginning essays are given over to memories of Paul Engle in his heyday. The second group focuses particularly on those teachers—Robert Lowell, John Berryman, Kurt Vonnegut, for example—who made the workshop hum on a day-to-day basi...
Writers' Workshops & the Work of Making Things
Annotation "Writers' Workshops & the Work of Making Things describes in detail how to conduct and participate in a successful creative or technical workshop. You will learn from the author's own struggles, as well as from the collective experience of the software patterns and creative writing communities." "Whether you write poems, short stories, documentation, or software, the collective energy of a writers' workshop can significantly enhance innovation, clarity, and effectiveness in your writing. Writers' Workshops & the Work of Making Things will help you get the most from a workshop experience."--BOOK JACKET. Title Summary field provided by Blackwell North America, Inc. All Rights Reserved.
Refuse to Be Done: How to Write and Rewrite a Novel in Three Drafts
They say writing is rewriting. So why does the second part get such short shrift? Refuse To Be Done will guide you through every step of the novel writing process, from getting started on those first pages to the last tips for making your final draft even tighter and stronger. From lauded writer and teacher Matt Bell, Refuse to Be Done is encouraging and intensely practical, focusing always on specific rewriting tasks, techniques, and activities for every stage of the process. You won’t find bromides here about the “the writing Muse.” Instead, Bell breaks down the writing process in three sections. In the first, Bell shares a bounty of tactics, all meant to push you through the initial...
Writing Fiction
Language, literature and biography.
Craft in the Real World
This national bestseller is "a significant contribution to discussions of the art of fiction and a necessary challenge to received views about whose stories are told, how they are told and for whom they are intended" (Laila Lalami, The New York Times Book Review). The traditional writing workshop was established with white male writers in mind; what we call craft is informed by their cultural values. In this bold and original examination of elements of writing—including plot, character, conflict, structure, and believability—and aspects of workshop—including the silenced writer and the imagined reader—Matthew Salesses asks questions to invigorate these familiar concepts. He upends We...
